18:00- PROGRAMME 1

TICKETS

REPERTOIRE
A Twelve Ton Rose- A Suite of Excerpts adapted for the Dancers of P.A.R.T.S.
Choreography: Trisha Brown
Re-staging: Kathleen Fisher
Music: Anton Webern - Opus 5, movements 4 and 5 for String Quartet, Opus 7 for Piano and Violin, Opus 28 for String Quartet
Dancers: Cassandre Cantillon, Aminata Diallo, Synne Enoksen, Carolina Ferreira, Tessa Hall, Georges Labbat, Eimi Leggett, Jean-Baptiste Portier, Mooni Van Tichel, Mamadou Wague

Twelve Ton Rose (1996) is the second work in Brown’s music cycle, which she initiated in preparation for directing operas. The title is a whimsical play on twelve tone rows, a compositional device developed by Arnold Schoenberg and used extensively by Webern. A series of lush ensemble pieces, duets, and solos, the choreography has a deliberate yet poetic relation to the musical structures. Brown and her company, like Webern, exhibited a profound interest in redefining contrapuntal expressions. Brown noted how the music dissolved in and out and used that as inspiration in her choreography, at times filling the silences and animating stillnesses. With no single set of easily recognisable movement phrases being continually referred to throughout the work, as was often the case in Brown’s prior works, the choreography reflects Webern’s tendency away from a tonal theme and towards abstraction and lyrics.

PERSONAL WORK (from outside of the curriculum)
Nothing More Than Me
Performed and choreographed by: Cintia Sebók

I can not speak from outside.
I am following closer and closer, deeper and deeper, what do I have to do.
Of course it is simple!
Walking, running, standing.
The movement as an entity to find my flow, the continuity.
Nothing is coming to me
Maybe, nothing more than me.

PERSONAL WORK (from outside of the curriculum)
Bacterial Transmission
Choreography: Joshua Serafin
Performers: Calvin Carrier, Gustavo Gláuber, Jean-Baptiste Portier, Lee Hyeon Seok, Margarida Marques Ramalhete, Maureen Bator, Rafael Galdino, Rita Alves

Searching nature’s way of communication. Finding the similarities and juxtaposing movement of nature’s mycelium network with neural activity in the brain. Treating this as an entry point for choreographic organisation of the body in time and space. Relating to the human activity and metaphysical out of body experience of an individuals journey in club culture.

IN THE BREAK

19:30
Talk! Public
(not really a public talk)#1

Conversations between generations

As a generation who is about to enter the professional field, we are bringing together past students who were in this same position a few years ago. For some of us this might be a first encounter with them, and this meeting might bring up discussions about our concerns relating to the past, present and future.

PERSONAL WORK (from outside of the curriculum)
Bear Bear
Performed and choreographed by: Eimi Leggett, Mariana Miranda, Wai Lok Chan

Earth rings go round, strangers pass by. Rivers meet and depart before returning to the sea. Something changes, something remains.